Certificate: 16 CHANTAL AKERMAN: CONTRE L’OUBLI/AGAINST OBLIVION at The Spielberg Theatre at the Egyptian, 6712 Hollywood Blvd., Los Angeles CA 90028 Completed in 1999, Chantal Akerman’s Sud (South) is a searing examination of the hate crime killing of James Byrd Jr. in Jasper, Texas. On June 7th, 1998 in Jasper, Texas, only days before filming began, James Byrd, Jr., a black man aged 49 was brutally murdered by three white men. However, when Byrd was murdered, her attention immediately shifted and she chose to focus on his death. A conversation with Belgian filmmaker Chantal Akerman about her films and her directorial philosophy. The subsequent documentary she made was called Sud (South). But this is not an anatomy of his murder, rather, it is an evocation of how this event fits in to a landscape and climate as much mental as physical. South The heart of this journey is the brutal murder of James Byrd, Jr in Jasper, Texas. She admired the work of William Faulkner and wanted to explore the region. View production, box office, & company info, Recommended Discs & Deals of the Week: ‘The Hateful Eight,’ Chantal Akerman, ‘Bicycle Thieves,’ and More, Tribute to Chantal Akerman at the 18th Montreal International Documentary Festival, Notebook Reviews: Werner Herzog's "Into the Abyss", História critica do pensamento cinematográfico, iCM Forum's Favourite Movies from the Benelux - ballot. Title: News from home: Presents a series of abstract and fragmentary images of everyday urban life in 1970s New York City, accompanied by the distinctive narration of filmmaker Chantal Akerman as she dispassionately reads through her mother's alternately affectionate, melancholic, and sincere, but maternally manipulative letters from her native Belgium A documentary examining the effect of a man dragged to death on the residents in Jasper, Texas. 2 of 5 people found this review helpful. IMDb takes a look at Gal Gadot's biggest roles, and the parts she never got the chance to play. Address. South Since today would have been Akerman’s 67th birthday, it’s an apt moment to salute her feminist masterpiece, Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles (1975), recently released on Blu-ray by … In light of her apparent suicide, Bean recalls Akerman’s genius and her legacy. A minimalist city symphony, Chantal Akerman’s News from Home pairs strikingly composed, Hopper-esque images of New York City – empty streets, cleared-out diners, and subway cars full of silent passengers – with Akerman’s off-screen readings of letters from her mother, who gives updates on family matters in Belgium, occasionally sends money, and pleads for her daughter’s quick … No need to waste time endlessly browsing—here's the entire lineup of new movies and TV shows streaming on Netflix this month. Sometimes it just observes people (always African Americans in these sequences) going about their lives, a lot of times the camera is just pointed out the window of a moving car - this can actually be a tad icky, honestly, especially when the camera is pointed out the back of the car. Her ... See full summary ». A native of Brussels, Belgium, Chantal Akerman was the daughter of Polish immigrants who were survivors of the Holocaust. It is pretty typical of an Akerman doc, in that the vast majority of it is made up of extremely long takes where nothing much is happening. Fondation Chantal Akerman c/o CINEMATEK 3, Rue Ravenstein B-1000 Brussels. The Fondation Chantal Akerman. Chantal Akerman was born on June 6, 1950 in Brussels, Belgium as Chantal Anne Akerman. Conversation between Chantal Akerman and curator Terrie Sultan with an introduction by Harvard University scholar Giuliana Bruno May 1, 5:30-7PM, Bartos TheatreThe MIT List Visual Arts Center (LVAC) is pleased to present Moving through Time and Space the first museum survey exhibition featuring the works of filmmaker and video artist Chantal Akerman. The subsequent documentary she made was called Sud (South). There are also interviews, which are probably the more interesting part of the film, despite being less artful. For thirty years, filmmaker Henry Bean and his wife were friends with the filmmaker Chantal Akerman. Chantal Akerman originally planned to make a meditative film on the American South. Inspired by her love of William Faulkner and James Baldwin, Chantal Akerman had planned to film a meditation on the American South. A camera mounted in the backseat of the car of Benning and Gordon traveling across the US east to west, takes in the passing terrain as framed by the windshield. Chantal Akerman (screenplay, voice over), Sonia Wieder-Atherton (music) and Catherine Deneuve (actor) team up to mourn the murder of Salvadorean union activist Febe Elisabeth Velásquez in this short piece produced for Amnesty International. A small documentary from Akerman about the 1998 murder of James Byrd Jr. Interestingly, the project began as a doc about William Faulkner. A documentary look at the fate of Mexicans who cross the border into the United States. The film, which premiered at the 1999 Cannes Film Festival (where it was nominated for the International Confederation of Art Cinemas Award) and was released on DVD in 2016 as part of a boxset also containing D’Est (1993), De l’autre côté (2002), and Down There (2006),[1] examines the effect of the dragging death of James Byrd Jr. on the residents in Jasper, Texas. Alternating static shots and dolly shots, Chantal Akerman reconstitutes the horrible incident that occurred in June 1998 in Jasper: a black man was chained to a pick-up truck and dragged several miles down the road by three young whites. The first 15 minutes or so of Akerman's documentary offer a series of everyday shots of a town in the Deep South. James Byrd Jr. was dragged to death behind a vehicle, and these sequences can't help but recall that, intentionally or not. However, just days before she was to begin filming, James Byrd, Jr. was murdered in Jasper, Texas. Kristine Butler, ‘Bordering on Fiction: Chantal Akerman’s D’est, PostModern Culture, Vol.6, No.1, September, 1995, p3.Butler describes D’est as defined by a series of formal and thematic oppositions but notes that the film ultimately resists any simple resolution of these oppositional terms. As an admirer of William Faulkner, Chantal Akerman was already planning to make a film regarding the American South at the time of James Byrd Jr.'s tragic lynching (by dragging) at the hands of three subhuman racists in Jasper, Texas. You must be a registered user to use the IMDb rating plugin. New 2K Restoration. Check out IMDb's highest-rated movies and TV shows of 2020, most-viewed trailers, top stars, memorable moments, and more! Endnotes. The Belgian filmmaker Chantal Akerman died at the age of 65 on October 5, 2015. Employees and clients of a commercial gallery only live for love; they dream it, proclaim it, sing it and dance it. Gone too soon: Chantal Akerman was found dead at the age of 65; here she is pictured in 2011 The filmmaker died of a suspected suicide on Monday night, according to newspaper Le Monde . Byrd, after being severely beaten, was chained to the back of a pickup and dragged three miles down an asphalt road. Add the first question. The Fondation Chantal Akerman was founded in 2017.. Its aims include : Conserving Chantal Akerman’s body of Art, including the archives and all the works ; Around the time of the murder, Chantal Akerman planned to make a documentary about the American South. Sud (English: South) is a 71-minute 1999 Belgian-Finnish-French English-language independent documentary art film directed by Chantal Akerman. Find a Grave, database and images (https://www.findagrave.com: accessed ), memorial page for Chantal Akerman (6 Jun 1950–5 Oct 2015), Find a Grave Memorial no. Around the time of the murder, Chantal Akerman planned to make a documentary about the American South. She was a director and writer, known for Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles (1975), Je Tu Il Elle (1974) and The Meetings of Anna (1978). For two hours, we will see them eating, chatting and sharing memories, ... See full summary ». As reported by They Shoot Pictures, Chantal became fascinated with film production after watching Godard’s Pierot le fou at the age of 15. Directed by Chantal Akerman. Sud (English: South) is a 71-minute 1999 Belgian-Finnish-French English-language independent documentary art film directed by Chantal Akerman. Chantal Akerman’s films include Jeanne Dielman, 23, Quai du Commerce, 1080 Bruxelles, The Meetings of Anna, News from Home, Je, tu, il, elle… Want to share IMDb's rating on your own site? Akerman spends a month in Tel Aviv, in an apartment by the sea, contemplating her family, her Jewish identity and her childhood. She died on October 5, 2015 in Paris, France. She then temporarily takes up with a hardware store owner until she ... See full summary », Chantal Akerman films her mother, an old woman of Polish origin who is short lifetime, in her apartment in Brussels. However, just days before she was to begin filming, James Byrd, Jr. was murdered in Jasper, Texas. A documentary examining the effect of a man dragged to death on the residents in Jasper, Texas. ‘We found pieces of his body all along the road’, says a witness. 'Tu' is the script. Conversation between Chantal Akerman and curator Terrie Sultan with an introduction by Harvard University scholar Giuliana Bruno May 1, 5:30-7PM, Bartos TheatreThe MIT List Visual Arts Center (LVAC) is pleased to presentMoving through Time and Space the first museum survey exhibition featuring the works of filmmaker and video artist Chantal Akerman. She is best known for Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles (1975), which The New York Times called a "masterpiece". The racially motivated murder occurred, and Akerman and her crew skirted on over to Jasper, Texas. Chantal Akerman, Production Notes, South, p2. According to film scholar Gwendolyn Audrey Foster, Akerman's influence on feminist and avant-garde cinema is substantial. Use the HTML below. In her 1999 documentary South, Akerman pondered the killing of an African-American man in Texas by letting her camera linger over the road where he … "We do have a few problems here in Jasper as far as, uh, racial." Experience the encounters, reunions, passions and disappointments of a malicious chorus of girls and a group of idle boys. However, just days before shooting was to begin in Jasper, Texas, Black family man James Byrd, Jr. was severely beaten by three white men, chained to their truck, and dragged three miles. Inspired by her love of William Faulkner and James Baldwin, renowned director Chantal Akerman had planned to produce a meditation on the American South. Chantal Akerman (*1950 in Brussels, † 2015 in Paris) was a filmmaker, writer, and artist. Akerman offers a plaintive vision of the American South via the hate crime killing of James Byrd. 'Je' is a girl voluntarily lock up in a room. ... South is a reflection on this brutal slaying and its impact on the community. A look at life in Eastern Europe after the collapse of the Soviet Union. Inspired by her love of William Faulkner and James Baldwin, renowned director Chantal Akerman had planned to produce a meditation on the American South. 'Il' is a lorry driver. A mom and her 10 year son motor around the country as she makes ends meet by turning tricks until her car breaks down. She admired the work of William Faulkner and wanted to explore the region. Get a sneak peek of the new version of this page. 153347440, citing Cimetière du Père Lachaise, Paris, City of Paris, Île-de-France, France ; Maintained by Find A Grave . Was this review helpful to you? However, when Byrd was murdered, her attention immediately shifted and she chose to focus on his death. On June 7th, 1998 in Jasper, Texas, only days before filming began, James Byrd, Jr., a black man aged 49 was brutally murdered by three white men. Chantal Anne Akerman was a Belgian film director, screenwriter, artist, and film professor at the City College of New York. Keep track of everything you watch; tell your friends. International Confederation of Art Cinemas, Nuremberg International Human Rights Film Festival, Buenos Aires International Festival of Independent Cinema, Place and Displacement: Akerman and Documentary, "The Sobering and Haunting Film Acts As a Meditation on Racial Hatred", Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles, American Stories: Food, Family and Philosophy, Les trois dernières sonates de Franz Schubert, Portrait of a Young Girl at the End of the 60’s in Brussels, Category:Films directed by Chantal Akerman, https://en.wikipedia.org/w/index.php?title=Sud_(1999_film)&oldid=990417204, Documentary films about crime in the United States, Creative Commons Attribution-ShareAlike License, This page was last edited on 24 November 2020, at 10:38. A tale of an occidental merchant, Kaspar Almayer, whose dreams of riches for his beloved daughter, Nina, collapse under the weight of his own greed and prejudice. Their guilt and long-kept, dark secret comes back to haunt ... See full summary ». (1999). An investigation into a relationship between two women in time and space. - (Amy Taubin, Film Comment) A bonus disc will include another film by Chantal Akerman, South, a documentary that was originally planned as a meditation on the American south, inspired by Akerman s love of William Faulkner and James Baldwin, and intended to serve as both an echo and a counterpoint to her earlier documentary, From the East, a film made about a journey through Eastern … Akerman has little insight into the issue - after all, she sees herself as more an observer than a documentarian - but it's still a decent documentary. Two middle-aged, lesbian couples accidentally kill a younger lesbian and hide the body, without reporting it to the authorities. Such is the beginning of Chantal Akerman by Chantal Akerman (1996), a first in the history of the venerable French public-television series Cinema, of Our Time, each installment of which had been—until then—one filmmaker’s profile of another. [2][3][4][5][6][7][8][9][10][11] Financed by Institut national de l’audiovisuel, La Sept-Arte, RTBF, and the Ministry of Transport and Communications’s Yle, produced by Iikka Vehkalahti [fi], and edited by Claire Atherton, it was also shown at the 2000 Thessaloniki International Film Festival, at the 2000 International Film Festival Rotterdam, at the 2000 Thessaloniki Documentary Festival, at the 2001 Nuremberg International Human Rights Film Festival [de] (where it won the Nuremberg International Human Rights Film Award – Special Mention), at the 2006 Buenos Aires International Festival of Independent Cinema, at the 2011 Vienna International Film Festival, and at the 2018 Jerusalem Film Festival. Drama. 'Elle' is the girlfriend. Someone mows the lawn in front of a church, people go about their business. She was married to Sonia Wieder-Atherton. Film scholar Gwendolyn Audrey Foster [1] considers her “one of the most important filmmakers of the late-20th century, whose films have had a profound impact on feminist discourse within the cinema, and within avant-garde film and video art at an international level.” Chantal Akerman followed famous Choreographer Pina Bausch and her company of dancers, The Tanzteater Wuppertal, for five weeks while they were on tour in Germany, Italy and France. This FAQ is empty. Synopsis Chantal Akerman investigates the American Deep South through the story of a lynching and grisly murder of an African-American man that took place in Texas in 1998. Chantal Akerman originally planned to make a meditative film on the American South. Of new movies and TV shows of 2020, most-viewed trailers, top stars, memorable moments, and and. 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